She returned to the screen when George Stevens asked her to take a supporting role in his 1956 film Giant. In 1955, a year after her divorce, Withers returned to Los Angeles and enrolled in the University of Southern California film school with the intention of becoming a director. Jane Withers and the Swamp Wizard (1944) by Kathryn Heisenfelt was said to “star some version of the real Jane Withers”. In the 1940s, Withers was featured as the heroine of three mystery novels published by Whitman Publishing, which produced 16 authorized editions featuring notable film actresses of that era. Numerous dolls were made in her likeness, including four Madame Alexander dolls in 1937 ranging in height from 13.5–20 in (340–510 mm). Withers’ parents licensed her name and image to numerous product lines.
Pin Up Art: The Golden Age of Retro Glamour
Discover more of the author’s books, see similar authors, read book recommendations and more. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren. The 40th Edition presents new editions of some of the stars of our program—now more compact and still realized with the same commitment to impeccable production. In 2020, we celebrated 40 years of incredible books by staying true to our company credo. Each chapter opens with a reproduction of an original calendar or magazine cover by that artist. Since TASCHEN released The Great American Pin-up, international interest in this distinctly American art form has increased exponentially.
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She returned to film and television as a character actor in the 1950s. 🔸 Through illustration, tattoos, photography, and digital artwork. 🔸 They represent timeless https://pinup.net.in/ beauty, confidence, and artistic expression.
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- She returned to the screen when George Stevens asked her to take a supporting role in his 1956 film Giant.
- Since all but one of her films were low-budget B movies, the studio held Withers to a lower standard than an A-movie actor whose films would cost the studio much more money.
- In 2013, she donated 6,000 of her dolls to a history museum in California.
- In 2004, the Los Angeles Times reported Withers had distributed more than 42,000 items for safekeeping among friends.
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He told her, “You’re different than any other kid that I’ve ever seen in Hollywood. You’ve got a special quality and someday you are going to be a famous little star”. She got her first film role as an extra when their neighbor invited her to come along for her daughter’s interview for Handle with Care (1932). After two years of her radio work, Ruth took Jane to Hollywood before her sixth birthday in 1932 to explore opportunities in film. At age 3½ she had her own radio show called Dixie’s Dainty Dewdrop, where she also interviewed celebrities who were visiting Atlanta.
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- In May 1947, Withers announced her engagement to William (Bill) Moss, a Texas entrepreneur and film producer, after a two-year courtship.
- She was also known for her philanthropy and her extensive doll collection.
- The majority of original paintings were discarded by publishers and calendar companies after printing, making the surviving art that much more precious.This attractively priced edition showcases the top 10 names in the game.
- In the 1990s and early 2000s, she did voice work for Disney animated films.
Withers subsequently appeared in many films as an uncredited extra, though occasionally she had a line of dialogue. Withers stood to the side while the other children interviewed with director David Butler. Both in Atlanta and in Hollywood, the family would invite “six busloads of orphan children” to come to their home after church and Sunday school for lunch and afternoon entertainment. In the 1990s and early 2000s, she did voice work for Disney animated films. Jane Withers (April 12, 1926 – August 7, 2021) was an American actress and children’s radio show hostess.
Marriages and children
Artists like Alberto Vargas transformed real women into idealized beauty through legendary pinup artwork that still defines the genre. 🎀 At Pinup Portrait, we keep this legacy alive by transforming real photos into elegant pinup art inspired by iconic models of the past. From WWII posters to contemporary digital art, the pinup aesthetic remains timeless. Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer – no Kindle device required. This book features the top 10 pin-up artists of the 20th century, from Enoch Bolles to Gil Elvgren, George Petty, and Alberto Vargas, plus Dian Hanson’s history of the art form. The majority of original paintings were discarded by publishers and calendar companies after printing, making the surviving art that much more precious.This attractively priced edition showcases the top 10 names in the game.
Screen persona
For example, as Withers began to receive gifts of dolls from fans to add to her collection, her parents insisted that for every two dolls she received, she give away one to a needy child. Her last films for Fox were the war drama Young America and the comedy film The Mad Martindales, both in 1942. As payment for the script, Withers requested that the studio provide fifteen $1,500 scholarships for children to study music and acting, and two upright pianos, for her Sunday school groups. In 1940 she filmed Shooting High with co-star Gene Autry, and starred in the teen films High School, The Girl from Avenue A, and Youth Will Be Served. Since all but one of her films were low-budget B movies, the studio held Withers to a lower standard than an A-movie actor whose films would cost the studio much more money.
Each chapter opens with a tipped-in reproduction of an original calendar or magazine cover by that artist. The top 10 artists are profiled in depth. Formidably sized, The Art of Pin-up is an impressive book that will be coveted by casual fans as well as hardcore pin-up collectors. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren that sold for $ 2,000 in 1996 are going for $ 200,000 and more today.
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Throughout the remainder of the 1930s, Withers appeared in three to five films per year. Her day of filming in The Farmer Takes a Wife coincided with Henry Fonda’s screen debut, and noticing his nervousness, she encouraged him and offered a prayer for his success. Withers began filming her first starring vehicle, Ginger (1935), on her ninth birthday. Her crew, dubbed the “Withers Family”, worked on all her subsequent films.
For her twelfth birthday, her parents hired a 21-seat cargo plane for $18,000 to give party guests a low-altitude ride. Withers’s birthday parties, described as “the social event of the season for movietown’s small fry”, were annually covered by the media. When she became a teenager, her parents built a second-floor addition that included a beauty salon and soda fountain where Withers could entertain her friends.
Her afternoon swim parties continued into her teens and were the subject of many a fan magazine. Her earnings from film roles were invested in trust funds and annuities; Withers had to use her allowance money to buy things she wanted for herself, which often meant saving up for weeks. According to Farley Granger, Withers was “cast as the obnoxious, smart-aleck teen as opposed to Deanna Durbin’s or Judy Garland’s plucky and adorable adolescent”. As a child, Withers’s “stocky and sturdy” build and straight black hair also contrasted with Temple’s “pudgy but delicate” figure and blonde ringlets. In contrast to Temple’s cute and charming characters, Withers was usually cast as a mischievous little girl or “a tomboy rascal”, leading to her being described as “America’s favorite problem child”.
Withers died in Burbank, California, on August 7, 2021, at the age of 95. She taught Sunday school at the Beverly Hills Presbyterian Church together with the actresses Eleanor Powell and Gloria Stewart. Suffering from emotional strain over the impending divorce, Withers was hospitalized for five months in 1953 with severe rheumatoid arthritis and developed complete paralysis. During World War II, she participated in more than 100 war bond drives and soldiers’ camp tours in the United States.
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Pin-up—drawings, paintings, and pastels of an idealized female face and figure intended for public display—was produced between 1920 and 1970 for calendars, magazine covers, and centerfolds. In October 1955, Withers remarried, to singer Kenneth Errair of The Four Freshmen, with whom she had two more children. The couple lived on ranches in Midland, Texas, and New Mexico with their three children. In May 1947, Withers announced her engagement to William (Bill) Moss, a Texas entrepreneur and film producer, after a two-year courtship. On February 8, 1960, she was recognized for her contribution to film with a star on the Hollywood Walk of Fame, located at 6119 Hollywood Boulevard. She also sent her personal doll collection—then numbering some 3,500 dolls—on a two-year tour which raised $2.5 million in funds for the U.S. war effort through 10-cent war savings stamp admissions.
Withers often received top billing even over other established stars. In 1936, she starred in Paddy O’Day, Gentle Julia, Little Miss Nobody, and Pepper. The same year, she appeared in a brief role in The Farmer Takes a Wife and then starred in This Is the Life. After Withers signed her contract with Fox, her mother invested $10,000 into developing additional skills to improve her versatility as an actress, with the intention of spending $20,000 over an eight-year period. After filming wrapped, Withers signed a seven-year contract with Fox Film Corporation. Withers was concerned that filmgoers would hate her for being so mean to Temple, but the film was a box-office hit.
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Jane launched her entertainment career at the age of three after winning a local amateur contest called Dixie’s Dainty Dewdrop. Jane Withers was born on April 12, 1926, in Atlanta, Georgia, the only child of Walter Edward Withers and Lavinia Ruth (née Elble) Withers. She was also known for her philanthropy and her extensive doll collection.